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NWN RELEASES - COMING SOON
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NWN PROD



Joined: 10 May 2006
Posts: 22928
Location: SF Bay Area

PostPosted: Thu Jun 07, 2018 7:47 am    Post subject: Reply with quote

OUT NOW!

Blasphemy “Live Ritual – Friday the 13th” CD/MC
ANTI-GOTH 004




(Description by C. Conrad)
Throughout the label’s existence, Blasphemy has stood as a cornerstone in the foundation of Nuclear War Now! Productions. In fact, the band played a defining role in YK Insulter’s decision to make the label a serious endeavor, which has led to NWN’s productive output since its inception. Specifically, it was YK’s pilgrimage to Blasphemy’s live gig on July 31st, 2001 that cemented the label’s future direction. The impetus behind this voyage had actually occurred almost a decade earlier, sometime in 1993, when he was first exposed to the irreplicable brand of violent, bestial black metal epitomized by the band’s legendary “Fallen Angel of Doom….” album. Hearing this recording on a car ride to a Carcass concert in Washington D.C. that year ignited YK’s ensuing reverence for the band and others of a similar ilk. Six years later, when it was announced that Blasphemy would return to the stage in the summer of 2000 for the first time since 1994, life circumstances prevented YK from travelling to witness these atrocities. Nevertheless, when two additional shows were announced the following year, a high level of dedication combined with a dose of fortuitous luck resulted in his opportunity to attend and capture one of these shows on a digital MiniDisc recorder that had been gifted to him by an uncle. Although he had been given approval by Ryan Förster (aka DeathLord of Abomination & War Apocalypse) to record the event, it was not until after the gig that he obtained permission from Black Winds and Caller of the Storms to release the recording on LP format. The consequent “Live Ritual – Friday the 13th” LP thus became the first vinyl LP in what has since become Nuclear War Now!’s extensive discography. Originally a joint release with War Hammer Records, 666 copies of “Live Ritual” were pressed, with 100 on red vinyl, which would serve as the primary component in a more limited die-hard edition that also included, among other exclusive items, a CDR of a Blasphemy rehearsal that took place later that summer. Approximately seventeen years and several hundred other releases later, “Live Ritual” has become one of the rarest and most sought-after of all NWN releases, and so the time has come for a repress of this historic album. The audio has undergone an additional round of mastering at the hands of James Plotkin to remove the distracting preamble and improve the overall sound. The layout has also been updated to include a more extensive description of events that led to the recording as well as many photos from the gig. In addition to the regular and die-hard LP editions, it is also being made available on both CD and cassette in order to satisfy demand in all forms for this important document. While Nuclear War Now! has continued to evolve from its humble beginnings to its current state, “Live Ritual – Friday the 13th” will always represent the enduring essence of the label, and therefore it is truly fitting that it once again see the dark of night.

-LISTEN-

Blasphemy “Victory (Son of the Damned)” CD/MC
ANTI-GOTH 395




(Description by C. Conrad)
In 2018, it has been approximately eighteen years since Blasphemy returned from a six-year hiatus to perform two series of live rituals – first, in July and August of 2000 and again the following summer. Although it was not known at the time, these gigs proved to be significant in the fact that they would be the last for another eight years. One of these historic shows, on July 13, 2001, was attended and recorded by YK Insulter, and this recording was later released that same year on his fledgling label, Nuclear War Now! Productions, under the title “Live Ritual – Friday the 13th.” A limited die-hard edition was pressed on red vinyl and also included, most notably, a CDR of a rehearsal that the band performed about one month later in preparation for their gig at the Anza Club in Vancouver on August 29th. After having recorded the “Live Ritual” performance in July, YK shipped the very same MiniDisc recorder used for that event to Ryan Förster (aka DeathLord of Abomination & War Apocalypse), along with instructions on how to use it. The aforementioned rehearsal session took place in the basement of then-bassist Bestial Saviour of the Undead Legions, and Förster captured the event by placing the MiniDisc recorder on the top of a washing machine in the room. Given the circumstances, one might erroneously assume the resulting audio quality to be inferior. On the contrary, the audio turned out to be compellingly good and thus worthy of its own release. Each instrument, including the vocals, is clearly and distinctly audible and appropriately mixed with respect to the others. Nuclear War Now! is thus proud to present this rehearsal recording for the first time as a standalone edition on double-LP, CD, and cassette formats. What makes this release particularly unique is the first-time inclusion of the track “Victory (Son of the Damned),” from which the rehearsal now derives its name. In fact, the track is included in two consecutive iterations, as it was played back-to-back during the session in preparation for the song’s live debut at the following Anza Club gig. Another feature of this recording that makes it covetable is the between-song banter among the band and guests alike, including members of Black Witchery, who attended the rehearsal. Given the length of the session, the newly-mastered audio of the vinyl version comprises the first three sides of the DLP, and the fourth boasts a blasphemous etching. Though debate continues to this day as to which – between “Fallen Angel of Doom….” and the “Blood Upon the Altar” demo – represents the most essential Blasphemy recording, “Victory (Son of the Damned)” promises to hold its own place atop the mantle of bestial black metal history as a snapshot in time of the world’s most notorious black metal band.

-LISTEN-

Vinyl versions out in two weeks.

Click here to order.

===========================================


July 13, 2001 marked Blasphemy’s third live ritual following a six-year torpor. The performance was part of a fest that took place in Burnaby, BC, just east of Vancouver. I still recall the moment The Desecraters took the stage, opening their set with “War Command”:

Together proclaiming war
The worlds ending forever more
A nuclear power plant scare
Breathing out the flame of doom
Cursing all evil on the land
Nuke metal sinning calling of war
Angel's blood dripping from the sky
Hailing in the sign of Satan

While I didn’t think about it at the time, the lyrics to that song—the references to nuclear annihilation—prefigured the relationship that began that night and would persist through the years between Blasphemy and Nuclear War Now!. The live album that resulted from that show would be my label’s first vinyl release, although I could never have predicted at the time that the label would be thriving after nearly two decades. Back then, I had no aspiration to create a “successful” label; my decision to release Blasphemy’s “Live Ritual: Friday the 13th” LP was motivated solely by my intense appreciation for the band.
I first heard Blasphemy when I was in high school in Northern Virginia. I had a close friend at the time named Vaughn Currier who was a few years older than I was and already deep into Death and Black Metal. One night, sometime in 1993, as we were driving to a Carcass show in Washington D.C., Vaughn played “Fallen Angel of Doom….” on the tape deck in the car. I was immediately drawn to the violent, cacophonous roar I heard on that tape. Later around that same time, Vaughn and I took a bus trip from Northern Virginia to New York City, and I recall he bought several Wild Rags titles (including Nuclear Death and Order From Chaos) while we were at Bleecker Bob’s. Listening to those records after we got back to Virginia further deepened my exposure to the metal underground. Over the next several years, as I delved deeper and deeper into Black Metal, I always found myself drawn to the early bestial sound of bands like Sarcofago, Holocausto, Beherit, Impiety, Abhorer, and, most of all, Blasphemy.
In the late 1990s, the more extreme sounds of those bands fell out of fashion to some extent. Norwegian and Swedish-style Black Metal was ascendant, yielding a flood of bands playing poorly recorded raw Black Metal, much of which, at least to my ears, sounded incredibly weak by comparison. Fortunately, at the same time, a second wave of more aggressive Black Metal appeared, with bands like Black Witchery, Conqueror, Bestial Warlust, and others carrying the torch.
By 2000, I had gotten the idea to start a record label but had no clue how to go about releasing music on my own. I had a digital MiniDisc recorder that my uncle sent me when they were becoming popular in Japan, but were not yet in use in the U.S. In August of that year, I used it to surreptitiously record an Enslaved show, and “released” about 30 copies as a bootleg CD-R called “Vikings Cometh Through the Fog.” I later regretted bootlegging the show and eradicated it from my official release catalog, but it showed me that I could get a decent live recording simply from using that MiniDisc device.
In July and August of 2000, Blasphemy played their first shows since 1994. I desperately wanted to travel to Vancouver to attend one of the gigs but was unable to at the time. I was 25 years old and having just finished school and started a new job, I was too broke and too busy to contemplate traveling to Canada. The following year, Blasphemy announced two more shows. I thought it would again be impossible for me to attend, but chance intervened.
Earlier that year, I went to Chicago for business. The airline overbooked the flight on the way back to San Francisco, and when I heard they were asking people to give up their seats in exchange for a $500 travel voucher, I jumped at the opportunity so that I could use the voucher to go to Vancouver. It proved to be one of the most significant decisions I’ve ever made.
This was around the dawn of widespread email usage and the early days of the Full Moon Productions forum, and I was already deeply involved in trading tapes and records with other metal fans. A year or so earlier, around the time “Hellstorm of Evil Vengeance” came out, I began corresponding with Ryan Förster of Conqueror, who, in 2000, had been initiated into Blasphemy as DeathLord of Abomination & War Apocalypse. I was also in communication with Jay of Godless North (who would later appear on the NWN! release “An Ode to Sin” by Rites of Thy Degringolade) and Justin of Allfather, a band which also played at the same fest where “Live Ritual” was recorded.
I booked my flight to Vancouver so that I arrived the day of the gig and planned to leave the following day. Jay allowed me to stay at his apartment; it was also the location of the after party, so there were plenty other people there as well. I wanted to document the show for a possible release, but I wasn’t quite sure how to go about doing it. A few weeks before the show, I asked Förster if I could record Blasphemy’s set with my MiniDisc player, although I didn’t really know what I intended to do with the recording. Neither he nor anyone else in the band objected. I also brought a disposable camera with me to take photos, but I couldn’t move around during the performance because I wanted to hold the microphone steady, so I asked Jay to take some photos of the band while they played.
The show exceeded my expectations. Allfather and Blasphemy were both exceptional. Even if the record had never come out, it would still be one of the most powerful live rituals I have ever seen. Back at Jay’s after the show, inspired by what I had witnessed, I asked Black Winds and Caller of the Storms for permission to release the recording in some form. To my surprise, they agreed. I went back home the following day committed to finding a way to accomplish this task. Interestingly, that same night, Jay played an advance copy of Revenge’s “Attack.Blood.Revenge” that he received from J. Read. I didn’t know it at the time, but this early exposure to Revenge foreshadowed another of the label’s most significant long-standing relationships. In fact, in 2014, I had the honor of reissuing “Attack.Blood.Revenge,” which has long been one of my favorite recordings of all time.
In those early days of the internet, it was not a simple matter to just put out a record. CDs were still the dominant format, and pressing and distributing vinyl was an expensive and time consuming process. Having cut my teeth in the hardcore punk scene, vinyl retained a special significance to me, and, although it would have been far easier to just put out CDs, I really wanted to honor the tradition of releasing metal on vinyl. Mike Meacham and James Fiala of War Hammer records offered to split the release with me, with the understanding that I would be responsible for the layout. War Hammer’s involvement was helpful, both financially and because they had already some experience running a label.
Although I had an idea of how I wanted the record to look, I enlisted the assistance of Jim Kapsalis from Cult of Daath to help with the layout, since, at the time, I knew nothing about graphic design, especially the technical aspects. Back then, there was no “one-stop shop” for pressing and packaging records, so I had to assemble the records piecemeal, ordering the vinyl, posters, and LP jackets from three different vendors and putting them together myself in the tiny apartment where I lived. I decided to do 666 copies, which seemed like a lot in that era. (The LP jackets had to be done in batches of 1,000, so I had several boxes of them left over that I used as packing material for a long time after.)
Inspired by Iron Pegasus’ “Die Hard” editions, I decided I wanted to add bonus material to the first 100 copies of the release, which were on red vinyl. I printed extra copies of some of the photos and included a silkscreened poster of a promo picture taken in May 2001 at the Ross Bay Cemetery. Most significantly, I also included with the Die Hard edition a CD-R of a rehearsal the band did in August 2001, just prior to their August 29, 2001 performance at the Anza Club in Vancouver. Although no one knew it at the time, that show would be the last one Blasphemy would perform until 2009. (They would also play at the NWN! fest in 2010 and 2012.)
A few weeks prior to the rehearsal, I shipped the same MiniDisc recorder to Förster with instructions on how to use it. The band held the rehearsal session in the basement of then-bassist Bestial Saviour of the Undead Legions. Förster set up the MiniDisc recorder on the top of a washing machine and captured the entire session, from beginning to end. The members of Black Witchery were also present and can be heard in the background of the recording. Notably, the set included what was, at the time, a new song called “Victory (Son of the Damned),” which they actually played twice in a row during the rehearsal and performed for the first time at the August 2001 gig.
Looking back on it, the original “Live Ritual” LP feels very naïve, and it was. I nevertheless remain proud of it because it was a pure, passionate endeavor, unmotivated by the sorts of deadlines and expectations that characterize my work with NWN! now that it is a much larger operation. It also set into motion the project—Nuclear War Now! Productions—that has consumed my life ever since. Releasing “Live Ritual” taught me that I had the will, dedication, and vision to run the label. Feeling emboldened, the following year, I released Black Witchery’s “Desecration of the Holy Kingdom” LP, the self-titled Morbosidad LP, Goatvomit’s “Chapel of the Winds of Belial” EP, and Abigail’s “Intercourse and Lust” LP. For Blasphemy, “Live Ritual” was the first new material the band had released in years, exposing many new listeners to the music for the first time and foreclosing any dispute as to Blasphemy’s claim to its throne.

YK Insulter
March 25, 2018
Oakland, CA
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NWN PROD



Joined: 10 May 2006
Posts: 22928
Location: SF Bay Area

PostPosted: Thu Jun 07, 2018 7:53 am    Post subject: Reply with quote

OUT NOW!
Knelt Rote "Alterity" LP/CD
ANTI-GOTH 364





(Description C. Conrad)
Over the course of its first three albums, Knelt Rote morphed from a band whose sound was originally most identifiable within the boundaries of grindcore to one that later wandered further down the spectrum of aural extremity into the realm of black/death metal. Its first album, “From Without” (2008), is an amalgam of breakneck tempos, frenzied guitar riffs, and rabidly barked vocals that reflects as much influence from the most extreme forms of hardcore punk as from the domain of metal. A palpable shift occurred on Knelt Rote’s second album, “Insignificance” (2010), and became more intensified with the 2012 release of “Trespass.” Although certain elements from the band’s first recording remained clearly intact, the songs began to assume a darker tone that was more menacing than angst-ridden, and the violence inherent in the music became better focused and significantly more pronounced. Throughout all of these works, and further complicating an easy classification of the band’s style, was the incorporation of harsh noise that both intensified the uneasiness inflicted upon the listener and threatened to shatter a given song into a thousand unrecognizable fragments at any unannounced moment. As it had done with the CD release of “Insignificance” and the LP and CD versions of “Trespass,” Nuclear War Now! Productions hereby presents “Alterity,” Knelt Rote’s fourth album and one that continues along the same trajectory established by the previous sequence of recordings. The devastation wrought by the incessant percussive barrage and grinding guitars on “Alterity” is matched by the dark introspection into the human condition that it endeavors to navigate. The lyrics explore such themes as social dissolution, identity, mental illness, obsession and suicide in the context of fatalism and inevitability, as opposed to personal agency. The music reflects the complete removal of will in situations typically associated with decision-making and understandable causation, leaving one to question how much control he has over his fate in an environment so maligned with threats to self-preservation. The vaguely ominous artwork that adorns the cover and accompanying booklet serves to magnify this doubt, casting a web that promises to entangle any who hope to escape their imperiled existence.

-LISTEN-

Click here to order.
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NWN PROD



Joined: 10 May 2006
Posts: 22928
Location: SF Bay Area

PostPosted: Thu Jun 07, 2018 1:54 pm    Post subject: Reply with quote

Out in two weeks




Discharge ink on Gildan TS. In sizes S to XXL.
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chunks



Joined: 21 Jun 2012
Posts: 1672
Location: Terra Nullius

PostPosted: Thu Jun 07, 2018 9:13 pm    Post subject: Reply with quote

was that a teased MoX shirt design on Instagram or nah?
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NWN PROD



Joined: 10 May 2006
Posts: 22928
Location: SF Bay Area

PostPosted: Fri Jun 08, 2018 6:10 am    Post subject: Reply with quote

chunks wrote:
was that a teased MoX shirt design on Instagram or nah?


That's a patch that's already listed in my store.
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NWN PROD



Joined: 10 May 2006
Posts: 22928
Location: SF Bay Area

PostPosted: Thu Jun 14, 2018 8:03 am    Post subject: Reply with quote

Blasphemy "Promo Tape 2" MC
ANTI-GOTH 405



This tape is free with orders over $50 without shipping.

Promo tape containing two songs from the upcoming Blasphemy releases on NWN:
"Blood Upon the Altar" MLP and "Blood Upon the Soundspace" MLP

You will need to add this item to your shopping cart in order to get the tape. It will not be added automatically. Please don't email asking to add the tape to an order.

One copy per $50 increments (that means you can grab 2 if you order $100).

Click here to order.
_________________
Contact: nwnprod@gmail.com
Web: https://shop.nwnprod.com/collections/new-arrivals

NWN carries all IBP releases.
IBP carries all NWN releases.



Last edited by NWN PROD on Thu Jun 14, 2018 8:09 am; edited 1 time in total
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NWN PROD



Joined: 10 May 2006
Posts: 22928
Location: SF Bay Area

PostPosted: Thu Jun 14, 2018 8:07 am    Post subject: Reply with quote

Blasphamagoatachrist "Black Metal Warfare" Demo
ANTI-GOTH 407



(Description by C. Conrad)
Continuing its longstanding mission to propagate the most unrelenting manifestations of bestial black metal, Nuclear War Now! Productions presents, “Black Metal Warfare,” the highly-anticipated first tactical strike from Blasphamagoatachrist. Consisting of members from the revered cults of Blasphemy, Goatpenis, and Antichrist, Blasphamagoatachrist boasts several decades of collective experience in aural combat, which it brings to bear in this inaugural demo. However, unlike many so-called “super groups,” who often suffer from a lack of cohesive vision and execution in their ranks, this unit has instead harnessed the individual strengths of each constituent and has combined them into a singularly focused entity that transcends the sum of its parts. As implied by the choice of moniker, Blasphamagoatachrist has chosen the most direct path in its nihilistic mission, thus forsaking any false adornments that might dilute its potency. There is no curtain of indiscernible noise behind which the instruments are obscured, as is sometimes the case in this style of black metal. Led by the lethal riffs and occasional solos of Virrigus Apocalli, which deliver the pinpoint ballistic strikes from above, the devastating bass of Sabbaoth and battery of T. Antichrist simultaneously decimate the battlefield below. Immersed in the fray, the war commands are performed by none other than Nocturnal Grave Desecrater and Black Winds, whose delivery remains as powerful as ever. These seven tracks of nuclear assault metal represent the best in the tradition of bestial black metal and portend ominous things to come in the future from these mercenaries, who appear to have now only skimmed the surface of their unquenchable bloodlust.

-LISTEN-

Click here to order.
_________________
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Web: https://shop.nwnprod.com/collections/new-arrivals

NWN carries all IBP releases.
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LO



Joined: 24 Feb 2012
Posts: 123
Location: San Diego, CA

PostPosted: Fri Jun 15, 2018 9:16 am    Post subject: Reply with quote

NWN PROD wrote:
OUT NOW!
Knelt Rote "Alterity" LP/CD
ANTI-GOTH 364





(Description C. Conrad)
Over the course of its first three albums, Knelt Rote morphed from a band whose sound was originally most identifiable within the boundaries of grindcore to one that later wandered further down the spectrum of aural extremity into the realm of black/death metal. Its first album, “From Without” (2008), is an amalgam of breakneck tempos, frenzied guitar riffs, and rabidly barked vocals that reflects as much influence from the most extreme forms of hardcore punk as from the domain of metal. A palpable shift occurred on Knelt Rote’s second album, “Insignificance” (2010), and became more intensified with the 2012 release of “Trespass.” Although certain elements from the band’s first recording remained clearly intact, the songs began to assume a darker tone that was more menacing than angst-ridden, and the violence inherent in the music became better focused and significantly more pronounced. Throughout all of these works, and further complicating an easy classification of the band’s style, was the incorporation of harsh noise that both intensified the uneasiness inflicted upon the listener and threatened to shatter a given song into a thousand unrecognizable fragments at any unannounced moment. As it had done with the CD release of “Insignificance” and the LP and CD versions of “Trespass,” Nuclear War Now! Productions hereby presents “Alterity,” Knelt Rote’s fourth album and one that continues along the same trajectory established by the previous sequence of recordings. The devastation wrought by the incessant percussive barrage and grinding guitars on “Alterity” is matched by the dark introspection into the human condition that it endeavors to navigate. The lyrics explore such themes as social dissolution, identity, mental illness, obsession and suicide in the context of fatalism and inevitability, as opposed to personal agency. The music reflects the complete removal of will in situations typically associated with decision-making and understandable causation, leaving one to question how much control he has over his fate in an environment so maligned with threats to self-preservation. The vaguely ominous artwork that adorns the cover and accompanying booklet serves to magnify this doubt, casting a web that promises to entangle any who hope to escape their imperiled existence.

-LISTEN-

Click here to order.


When comes the Bandcamp?
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bearsbearsbears



Joined: 17 Mar 2012
Posts: 3255

PostPosted: Sun Jun 17, 2018 11:31 am    Post subject: Reply with quote

Any ETA on the repress of the Varathron demo material? I think I remember hearing that was in the works.
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NWN PROD



Joined: 10 May 2006
Posts: 22928
Location: SF Bay Area

PostPosted: Tue Jun 19, 2018 6:43 am    Post subject: Reply with quote

OUT NOW!
Saltas "Parasites" Demo 2
ANTI-GOTH 394



2nd demo of ritualistic death doom from members of Irkallian Oracle and Funeral Orchestra.

-LISTEN-

Click here to order.
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PostPosted: Tue Jun 19, 2018 6:48 am    Post subject: Reply with quote

OUT NOW!
Moenen of Xezbeth "Ancient Spells of Darkness..." Music Cassette
ANTI-GOTH 402



(Description by C. Conrad)
Conjuring the sinister spirits of yesteryear, Moenen of Xezbeth rises to deliver its first full incantation of mid-paced black metal, “Ancient Spells of Darkness…,” with its seven arcane invocations primed to unleash their plague on all who bear witness. Captured with the same approach and under the same austere conditions as its preceding demo and EP, “Ancient Spells of Darkness…” thus realizes the same unearthly effect, yet it is even more sinister and oppressive. These foreboding hymns serve as a conduit for the return of the original black flame, which was first sparked by Moenen of Xezbeth’s revered forbearers, has since nurtured itself in the underworld, and is now emboldened to return in its dark glory.

-LISTEN-

*European version of the tape by Gramschap. Europeans are encouraged to order the tape from http://schalendergramschap.blogspot.com/

Click here to order.
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NWN PROD



Joined: 10 May 2006
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PostPosted: Tue Jun 19, 2018 7:10 am    Post subject: Reply with quote

OUT NOW
NWN "Such is the Pathway to the Stars" TS




Discharge ink printing on Gildan brand TS. Available in sizes S to XXL while supply lasts. Printed by Inferno Screen Printing from NOLA.

Click here to order.
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NWN carries all IBP releases.
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NWN PROD



Joined: 10 May 2006
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PostPosted: Tue Jun 19, 2018 7:12 am    Post subject: Reply with quote

OUT NOW!
Blasphamagoatachrist "Black Metal Warfare" TS




Discharge and aqueous ink on Gildan brand TS. Availalbe in sizes S to XXL while supply lasts. Printed by Inferno Screen Printing from NOLA.

*Demo tape will be back in stock in two weeks. 1st press is now sold out.

Click here to order.
_________________
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NWN carries all IBP releases.
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NWN PROD



Joined: 10 May 2006
Posts: 22928
Location: SF Bay Area

PostPosted: Mon Jul 02, 2018 7:17 am    Post subject: Reply with quote

OUT NOW!
Moenen Of Xezbeth “Ancient Spells Of Darkness…” TS

Available as full color or grayscale + red, in sizes Small to XXL. Printed by Inferno Screen Printing of NOLA.

10 screen full color:




3 screen grayscale + red:





Click here to order.
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NWN carries all IBP releases.
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PostPosted: Mon Jul 02, 2018 7:50 am    Post subject: Reply with quote

Back in stock

Blasphamagoatachrist "Black Metal Warfare" Demo
ANTI-GOTH 407



(Description by C. Conrad)
Continuing its longstanding mission to propagate the most unrelenting manifestations of bestial black metal, Nuclear War Now! Productions presents, “Black Metal Warfare,” the highly-anticipated first tactical strike from Blasphamagoatachrist. Consisting of members from the revered cults of Blasphemy, Goatpenis, and Antichrist, Blasphamagoatachrist boasts several decades of collective experience in aural combat, which it brings to bear in this inaugural demo. However, unlike many so-called “super groups,” who often suffer from a lack of cohesive vision and execution in their ranks, this unit has instead harnessed the individual strengths of each constituent and has combined them into a singularly focused entity that transcends the sum of its parts. As implied by the choice of moniker, Blasphamagoatachrist has chosen the most direct path in its nihilistic mission, thus forsaking any false adornments that might dilute its potency. There is no curtain of indiscernible noise behind which the instruments are obscured, as is sometimes the case in this style of black metal. Led by the lethal riffs and occasional solos of Virrigus Apocalli, which deliver the pinpoint ballistic strikes from above, the devastating bass of Sabbaoth and battery of T. Antichrist simultaneously decimate the battlefield below. Immersed in the fray, the war commands are performed by none other than Nocturnal Grave Desecrater and Black Winds, whose delivery remains as powerful as ever. These seven tracks of nuclear assault metal represent the best in the tradition of bestial black metal and portend ominous things to come in the future from these mercenaries, who appear to have now only skimmed the surface of their unquenchable bloodlust.

-LISTEN-

Click here to order.
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Contact: nwnprod@gmail.com
Web: https://shop.nwnprod.com/collections/new-arrivals

NWN carries all IBP releases.
IBP carries all NWN releases.

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