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NWN RELEASES - COMING SOON
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Shiru



Joined: 04 Feb 2007
Posts: 3436
Location: Finland

PostPosted: Mon Jul 02, 2018 12:36 pm    Post subject: Reply with quote

NWN PROD wrote:
Shiru wrote:
btw what is this mysterious Goatlord/Nunslaughter/Funeral Nation/Gravewurm split?


It's sort of a tribute to the fallen soldiers from Goatlord (Ace and Joe). It has the very last track they recorded before breaking up in the 90's. Ace added vocals to the song some years ago. Don of the Dead approached the band about doing a split together and it morphed into this four way split EP. I'll do it on 12" format limited to 250 copies.

Thanx! Thats great news!!! though i am a bit surprised about limit cause i though there is way more Goatlord and Nunslaughter(yes i know them made too many releases, but last years there was hardly any new studio material) fans.
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Numberonesorcerer



Joined: 22 Jun 2018
Posts: 2

PostPosted: Mon Jul 02, 2018 7:12 pm    Post subject: Reply with quote

When do we get new grave upheaval on cd? I can’t find information anywhere!
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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Tue Jul 03, 2018 9:04 am    Post subject: Reply with quote

Numberonesorcerer wrote:
When do we get new grave upheaval on cd? I can’t find information anywhere!


It's at the press now. It's one of those fancy hardbound book CDs so it's taking longer than expected. We also went back and forth with various factories to get the best pricing since it's an expensive project.
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Numberonesorcerer



Joined: 22 Jun 2018
Posts: 2

PostPosted: Tue Jul 03, 2018 9:57 am    Post subject: Reply with quote

That is fantastic news! I missed the die hard while moving and low on funds so this will definitely help make up for that.
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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Thu Jul 05, 2018 2:04 pm    Post subject: Reply with quote

OUT NOW!
Sect Pig “Crooked Backs” MLP/MCD
ANTI-GOTH 381









(Description by J. Campbell)
With their two previous albums, Sect Pig established an unorthodox and decidedly unique sound and aesthetic. On“Crooked Backs,” the band’s third album, Sect Pig intensifies their approach. Violent and repetitious, frenzied and hallucinatory. Sect Pig’s sound on this album is disorienting and extreme. Precision guitar attacks and tumultuous percussive abuse characterize the band’s instrumental approach. Sect Pig utilize delay and other effects with intention, augmenting the tracks to add dimension and foster confusion. “Crooked Backs” displays a greater degree of compositional nuance than its predecessors, with unanticipated riffs, temporal shifts, and eccentric effects and sounds embedded within the tracks. The strange confluence of elements is emphasized as disparate due to the fact that the band consists of a conglomerate of unknown international members whose identities remain shrouded in misguided speculation. But perhaps the most salient aspect of Sect Pig’s music are the human voices, which assume a prominent role, both in the form of the heinous barrage of vocals and the intermittent use of narrative samples between the songs. The vocals are contorted andwretched; they are barked, snorted, and snarled. Like the previous Sect Pig releases, “Crooked Backs” is thematically tethered to a particular subject, framed by the use of voice samples that shape the psychological experience of the listener. “Crooked Backs” is an anti-meditation on eugenics, on man’s efforts to selectively breed the best human specimens and eradicate the diseased and feeble minded. Whereas genocide has long been universally condemned, more subtle and pernicious ways of modifying the gene pool persisted. Though many believe that forced sterilization is a practice confined to the distant past, in the United States it occurred until the early 1980s. Sterilization was accepted a way of ensuring that individuals whose minds were mentally deficient or criminally inclined, or whose bodies were physically mangled and misshapen, were precluded from corrupting the genetic trajectory of the human race. “Crooked Backs” is the most cohesive of the three Sect Pig albums, but it also draws together the band’s entire body of work and confirms patterns in the band’s approach, with each album clocking in at under 20 minutes and featuring similarly stylized two-tone artwork.

-LISTEN-

Regular Version: Black vinyl MLP, jacket, insert.
Die Hard Version: Mustard yellow vinyl MLP, jacket, insert, pin and sticker.

Click here to order
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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Fri Jul 06, 2018 8:56 am    Post subject: Reply with quote

Sissy Spacek US And Japan Tour 2018



US TOUR DATES

08/21/18 — Detroit MI
08/22/18 — Chicago IL
08/23/18 — Madison WI
08/24/18 — Crystal MN
08/25/18 — Kansas City MO
08/26/18 — St Louis MO
08/27/18 — Lexington KY
08/28/18 — Richmond VA
08/29/18 — Washington DC
08/30/18 — Baltimore MD
08/31/18 — New York NY
09/01/18 — Brooklyn NY
09/02/18 — Providence RI
09/03/18 — Boston MA
09/04/18 — Pittsfield MA
09/05/18 — Syracuse NY
09/06/18 — Ithaca NY
09/07/18 — Pittsburgh PA
09/08/18 — Dayton OH
09/09/18 — Cleveland OH

JAPAN TOUR DATES

09/13/18 — Tokyo
09/14/18 — Fukuoka
09/15/18 — Osaka
09/16/18 — Tokyo
09/17/18 — Tokyo
09/18/18 — Yokohama
09/20/18 — Nagoya

Ways of Confusion LP and CD are the press now.

ALBUM STREAM VIA INVISIBLE ORANGES:

http://www.invisibleoranges.com/sissy-spacek-premiere/
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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Mon Jul 09, 2018 8:09 am    Post subject: Reply with quote

Added to the store...

Released by Floga Records Greece:

Nuclear Death “The Planet Cachexial” LP – first time ever on vinyl format. Limited pressing with 24 page full color booklet full of Lori Bravo’s demented artwork and lyrics.






Nuclear Death “For Our Dead / All Creatures Great And Eaten” LP – limited to 250 copies on black vinyl. This combines the old Wild Rags 7″ and a demo on one LP.






Click here to order.
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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Fri Jul 13, 2018 7:44 am    Post subject: Reply with quote

OUT NOW!

Blasphemy “Live Ritual – Friday the 13th” LP/CD/MC
ANTI-GOTH 004


Regular black vinyl:

Die Hard red vinyl:

Double sided A2 poster for all versions:


Die Hard version 36″ cloth tapestry:

Die Hard version sticker:


CD version is still available.
Tape version will be back in stock in about a week.

(Description by C. Conrad)
Throughout the label’s existence, Blasphemy has stood as a cornerstone in the foundation of Nuclear War Now! Productions. In fact, the band played a defining role in YK Insulter’s decision to make the label a serious endeavor, which has led to NWN’s productive output since its inception. Specifically, it was YK’s pilgrimage to Blasphemy’s live gig on July 31st, 2001 that cemented the label’s future direction. The impetus behind this voyage had actually occurred almost a decade earlier, sometime in 1993, when he was first exposed to the irreplicable brand of violent, bestial black metal epitomized by the band’s legendary “Fallen Angel of Doom….” album. Hearing this recording on a car ride to a Carcass concert in Washington D.C. that year ignited YK’s ensuing reverence for the band and others of a similar ilk. Six years later, when it was announced that Blasphemy would return to the stage in the summer of 2000 for the first time since 1994, life circumstances prevented YK from travelling to witness these atrocities. Nevertheless, when two additional shows were announced the following year, a high level of dedication combined with a dose of fortuitous luck resulted in his opportunity to attend and capture one of these shows on a digital MiniDisc recorder that had been gifted to him by an uncle. Although he had been given approval by Ryan Förster (aka DeathLord of Abomination & War Apocalypse) to record the event, it was not until after the gig that he obtained permission from Black Winds and Caller of the Storms to release the recording on LP format. The consequent “Live Ritual – Friday the 13th” LP thus became the first vinyl LP in what has since become Nuclear War Now!’s extensive discography. Originally a joint release with War Hammer Records, 666 copies of “Live Ritual” were pressed, with 100 on red vinyl, which would serve as the primary component in a more limited die-hard edition that also included, among other exclusive items, a CDR of a Blasphemy rehearsal that took place later that summer. Approximately seventeen years and several hundred other releases later, “Live Ritual” has become one of the rarest and most sought-after of all NWN releases, and so the time has come for a repress of this historic album. The audio has undergone an additional round of mastering at the hands of James Plotkin to remove the distracting preamble and improve the overall sound. The layout has also been updated to include a more extensive description of events that led to the recording as well as many photos from the gig. In addition to the regular and die-hard LP editions, it is also being made available on both CD and cassette in order to satisfy demand in all forms for this important document. While Nuclear War Now! has continued to evolve from its humble beginnings to its current state, “Live Ritual – Friday the 13th” will always represent the enduring essence of the label, and therefore it is truly fitting that it once again see the dark of night.

Regular Version: Black vinyl LP, gatefold jacket, 2 sided A2 poster.
Die Hard Version: Red vinyl LP, gatefold jacket, 2 sided A2 poster, 36" cloth tapestry, sticker.

Blasphemy “Victory (Son of the Damned)” DLP/CD/MC
ANTI-GOTH 395


Regular black vinyl:

Die Hard red vinyl:

A2 poster for all versions:

Die Hard version 36″ cloth tapestry:

Die Hard version sticker:


CD version is still available.
Tape version will be back in stock in about a week.

(Description by C. Conrad)
In 2018, it has been approximately eighteen years since Blasphemy returned from a six-year hiatus to perform two series of live rituals – first, in July and August of 2000 and again the following summer. Although it was not known at the time, these gigs proved to be significant in the fact that they would be the last for another eight years. One of these historic shows, on July 13, 2001, was attended and recorded by YK Insulter, and this recording was later released that same year on his fledgling label, Nuclear War Now! Productions, under the title “Live Ritual – Friday the 13th.” A limited die-hard edition was pressed on red vinyl and also included, most notably, a CDR of a rehearsal that the band performed about one month later in preparation for their gig at the Anza Club in Vancouver on August 29th. After having recorded the “Live Ritual” performance in July, YK shipped the very same MiniDisc recorder used for that event to Ryan Förster (aka DeathLord of Abomination & War Apocalypse), along with instructions on how to use it. The aforementioned rehearsal session took place in the basement of then-bassist Bestial Saviour of the Undead Legions, and Förster captured the event by placing the MiniDisc recorder on the top of a washing machine in the room. Given the circumstances, one might erroneously assume the resulting audio quality to be inferior. On the contrary, the audio turned out to be compellingly good and thus worthy of its own release. Each instrument, including the vocals, is clearly and distinctly audible and appropriately mixed with respect to the others. Nuclear War Now! is thus proud to present this rehearsal recording for the first time as a standalone edition on double-LP, CD, and cassette formats. What makes this release particularly unique is the first-time inclusion of the track “Victory (Son of the Damned),” from which the rehearsal now derives its name. In fact, the track is included in two consecutive iterations, as it was played back-to-back during the session in preparation for the song’s live debut at the following Anza Club gig. Another feature of this recording that makes it covetable is the between-song banter among the band and guests alike, including members of Black Witchery, who attended the rehearsal. Given the length of the session, the newly-mastered audio of the vinyl version comprises the first three sides of the DLP, and the fourth boasts a blasphemous etching. Though debate continues to this day as to which – between “Fallen Angel of Doom….” and the “Blood Upon the Altar” demo – represents the most essential Blasphemy recording, “Victory (Son of the Damned)” promises to hold its own place atop the mantle of bestial black metal history as a snapshot in time of the world’s most notorious black metal band.

Regular Version: Black vinyl DLP, gatefold jacket, A2 poster
Die Hard Version: Red vinyl DLP, gatefold jacket, A2 poster, 36" cloth tapestry, sticker.

Click here to order.
_________________
Contact: nwnprod@gmail.com
Web: https://shop.nwnprod.com/collections/new-arrivals

NWN carries all IBP releases.
IBP carries all NWN releases.

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Shiru



Joined: 04 Feb 2007
Posts: 3436
Location: Finland

PostPosted: Mon Jul 16, 2018 11:00 am    Post subject: Reply with quote

Finally grabbed both Blasphemy and Sect Pig from IBP...

So what is at press now and when is coming Blood Upon the Soundspace LP?

and any updates on Necrosleezer, new Sect Pig EP, Goatlord/Nunslaughter 4 way split, Ysengrin/Stargazer split LP and Necrosleezer demo repress?
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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Mon Jul 16, 2018 1:25 pm    Post subject: Reply with quote

Shiru wrote:
Finally grabbed both Blasphemy and Sect Pig from IBP...

So what is at press now and when is coming Blood Upon the Soundspace LP?

and any updates on Necrosleezer, new Sect Pig EP, Goatlord/Nunslaughter 4 way split, Ysengrin/Stargazer split LP and Necrosleezer demo repress?


Necrosleezer layout is done. Just waiting to hear back from the band.

Ysengrin/Stargazer recording is done. I need to follow up with the band about the layout.

Sect Pig next MLP will be done by the end of the year I think.

Blood Upon the Altar and Blood Upon the Soundspace MLPs are at the press now. Tape editions of these are also at the press now and will be out first. CD version will include both recordings.
_________________
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NWN carries all IBP releases.
IBP carries all NWN releases.

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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Tue Jul 17, 2018 7:17 am    Post subject: Reply with quote



Black metal in the style of old Unisound bands.

August 2018

Sample here: https://nuclearwarnowproductions.bandcamp.com/album/the-church-on-the-island
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Ethylic Overkill



Joined: 06 Apr 2008
Posts: 514

PostPosted: Wed Jul 18, 2018 1:21 am    Post subject: Reply with quote

Demoncy new LP still in the works ?
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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Wed Jul 18, 2018 7:04 am    Post subject: Reply with quote

Ethylic Overkill wrote:
Demoncy new LP still in the works ?


Yes the new album is still in the works.
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NWN carries all IBP releases.
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NWN PROD



Joined: 10 May 2006
Posts: 23464
Location: SF Bay Area

PostPosted: Thu Jul 19, 2018 7:31 am    Post subject: Reply with quote

OUT NOW!

Blasphemy “Blood Upon the Altar” Demo
ANTI-GOTH 398



(Description by J. Campbell)
Although Blasphemy’s recorded output was limited, its endurance over the last three decades is a testament to its originality and extremity, and it all began with the Blood Upon the Altar demo. The band’s origin was unremarkable but auspicious. In 1984, founding members Nocturnal Grave Desecrater and Black Winds and 3 Black Hearts of Damnation and Impurity, who lived near one another and were already acquainted, began playing music together, mostly working on cover songs. They soon recruited Caller of the Storms and Black Priest of the 7 Satanic Blood Rituals to complete the original lineup. After briefly adopting the name Antichrist, the band eventually settled on the simple and iconic name Blasphemy and began writing songs. They refined their sound and focused their songs during live rituals over the next several years, although the lineup would fluctuate slightly when Black Winds did a brief stint in jail, and Bestial Savior of the Undead Legions briefly assumed bass duties. Black Winds soon rejoined the fold, and Blasphemy entered Fiasco Bros. studio in 1989 with an $800 budget. They emerged having produced one of the most devastating demo recordings ever made. Blood Upon the Altar ushered in a new style of Black Metal, no less dark or evil than their contemporaries, but more confrontational, more violent. In addition to being heavily inspired by Bathory, Sodom, and Slayer, Blasphemy also drew from the punk infused Brazilian scene, especially SarcóI_LOVE_PENIS, as well as Grindcore bands like Blood and Genocide (Repulsion). The resultant mixture of these influences yielded a demo that established a new standard for extremity in Black Metal, a bar that Blasphemy would continue to raise with each subsequent recording. This edition of Blood Upon the Altar marks the first time since its original release that it has been properly featured as a stand-alone album. For far too long, this demo was tacked as bonus tracks onto the end of the Gods of War album, leaving the impression that Blood Upon the Altar was of lower stature; in fact, for many, Blood Upon the Altar is the most powerful Blasphemy release of all. Additionally, many of the earlier reissue editions of this recording had long gaps between the tracks owing to an improperly prepared digital master, but that flaw has been corrected with this version, which was also remastered by James Plotkin to ensure the best possible sound. Finally, the original demo artwork once again adorns the cover of this LP, which also features a full-color gatefold. In every respect, this version—a joint release by NWN! and Ross Bay Cult—seeks to restore Blood Upon the Altar to its original status as one of the most significant Black Metal recordings of all time.

-LISTEN-

MLP version is scheduled to be released in September.
CD version will include the “Blood Upon the Soundspace” tracks.

Blasphemy “Blood Upon the Soundspace” MC
ANTI-GOTH 406



(Description by J. Campbell)
Following the recent reissue campaign, NWN! is honored to present the first official release of a rarely heard 1989 rehearsal recording, Blood Upon the Soundspace. This crude open-air mic recording captures the unvarnished vigor of Blasphemy in a way that the contemporaneous studio recordings cannot. The rehearsal took place in Blasphemy’s practice space sometime following the release of the Blood Upon the Altar demo as the Desecraters were writing material that would later appear on the 1990 debut LP, Fallen Angel of Doom. Four of the five tracks feature songs that would be recorded for the album, with “War Command” being the only exception. The live performance of these tracks in the band’s rehearsal space is devastating and showcases a side of Blasphemy that many have never previously heard. The unified front of the instrumentation—the blunt force of Black Winds’ bass assault, the wicked precision of Black Priest’s rhythm guitar, Black Hearts’ furious drumming—is undeniably powerful. Black Winds’ raw vocals, raspier than on the studio recordings, drive the intensity of the performance, while Caller’s renegade solos are characteristically unhinged and frantic. The band only produced a handful of these rehearsal tapes for distribution to close associates. This version of the recording is taken from a tape Black Winds sent to Metalion (Slayer Magazine) in May of 1989—one of the only known extant copies—and is newly mastered by James Plotkin to enhance the audio where possible. (Note that the first track, “Darkness Prevails,” is noticeably more distorted than the rest of the recording.) To maintain the authenticity of this release, the cover features original artwork created in 1988 by Black Priest and screenshots taken from a video recording at the Blasphemy rehearsal space during the same era.

-LISTEN-

MLP version is scheduled to be released in September.

Click here to order.
_________________
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Web: https://shop.nwnprod.com/collections/new-arrivals

NWN carries all IBP releases.
IBP carries all NWN releases.

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Squatz_n_oatz



Joined: 31 Jul 2013
Posts: 151

PostPosted: Thu Jul 19, 2018 6:05 pm    Post subject: Reply with quote

Black Metal Skinheads demon tapestry available exclusively with diehard?
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